Role: Sr. Director, Motion Graphics

I worked on graphics for The Daily Show while Trevor Noah was still host, through various guest hosts, as well as the return of Jon Stewart. I designed and animated graphics for promos, lower thirds, OOH & social.

Role: Sr. Director, Motion Graphics

I worked on graphics for the 9th season of Bar Rescue, customizing various typography and animation to promote the new season.

Role: Sr. Director, Motion Graphics

I worked on both season 14 & 15 of Ink Master on Paramount Network & Paramount+, where I worked on animation, style frames, and promo materials. We created the title sequence and all additional graphics completely in-house.

I created all the animation for this book trailer for ‘Hot Boy Summer’ by Joe Jiménez for MTV Books. I also created additional versions for social & OOH.

Role: Sr. Director, Motion Graphics

For the launch of Digman!, an animated series starring Andy Samberg on Comedy Central, I designed & animated various digital billboards that ran across NYC for the show’s launch.

Role: Sr. Director, Motion Graphics

I oversaw several campaigns for Seinfeld marathons on Comedy Central including Presidents’ Day, New Year’s Day, & Refreshers. Each marathon required custom graphics, while still keeping a simple look that worked with the iconic Seinfeld logo. In the NYD campaign, I also worked on the motion tracking for the final ‘2023’ graphic.

Role: Sr. Director, Motion Graphics

I designed, art directed, & animated the graphics for Comedy Central’s Freak Week promotion, which is a week of Halloween-themed programming. Freakin’ Weekend followed a year later, and we slightly simplified the graphics by removing the smoke background.

Role: Sr. Director, Motion Graphics

I worked on several marathons for The Office, including Presidents’ Day, That’s What 2023 Said, & Refreshers. Each promo had a slightly different look, while still remaining true to the Comedy Central branding.

Role: Sr. Director, Motion Graphics

I designed and animated the graphics for Baste Week Ever, promoting a week of Thanksgiving-themed programming on Comedy Central. I also created a custom ‘sketch’ filter to treat images in Photoshop, giving a hand-drawn feel to the stock photography.

Role: Sr. Director, Motion Graphics

I worked on graphics for this Friends promo on Comedy Central. We kept the look simple to showcase the iconic Friends logo, and used a vector version of the peephole door frame as a secondary icon.

Role: Design Lead, Branding, Animation

For NBCUniversal’s Black History Month, we launched an extensive campaign across 16 different networks. Our design featured bold typography with a red, white, & blue color palette which conveys that Black history IS American history.

Role: Design Lead, Branding, Animation

I was the lead designer on Syfy's The Great Debate, where I oversaw the branding, key art, on-air packaging, social and digital elements.

Role: Senior Designer, Branding, Animation

Briarpatch is a pulpy mystery drama starring Rosario Dawson — I worked on developing the overall branding for the show, in addition to overseeing elements for on-air, print, social and digital.

Role: Senior Designer, Animation

I created the on-air toolkit for Straight Up Steve Austin season 2, in addition to the style guide and social elements. The toolkit was designed to simplify the workflow of our editors & included scripting that would allow design elements to resize depending on length of text. I also color corrected the video footage to match reference from our photographer.

I was the design lead for the ninth & final season of Suits. I created the branding for the entire campaign across on-air, print & social. I worked on branding & signage for a special fashion exhibit on the style of Suits (& its spin-off, Pearson) at the Paley Center in LA. I also made a lot of merch for the final season, including a custom wine bottle mailer.

Role: Design Lead, Branding, Animation, Social

For Unsolved I designed the show logo, initial branding concepts, on-air graphics package, print campaign, social + digital, and much more. The show was a true crime drama centered around the murders of Tupac and Biggie, and we wanted to create a graphics look that was both gritty and honored the iconic status of its protagonists. The show premiered with some of the highest ratings ever for a USA launch.

Role: Design Lead, Animation

For the first season of Colony, we worked with Leroy and Clarkson to show an occupied Los Angeles surrounded by a giant wall. I worked on the original concepts, art direction and additional animation.

For season 1 of Shooter, we worked with LoyalKaspar to create a target motif out of animating blurred rings. Our goal was to stay away from overused imagery about snipers such as crosshairs or guns. I created the concept for this approach, and also worked on art direction & additional animation on the delivered graphics.

I collaborated with USA Brandworks on this spot for Playing House and Toyota. I was filmed creating hand-painted storyboards, in addition to adding some animated elements in post-production.

I drew a custom hand-lettered logo for this USA Brandworks spot. I also worked on graphics within the spot, adding custom borders, film burn, camera shutter moves, and film strip transitions. The spot was originally just still images, but I was able to bring it to life using motion graphics.

I designed the logo for this drama starring Jessica Biel, as well as graphics for the launch promos of the show.

I designed the logo for this show, and also the graphics for the promos. The logo was built as an actual neon sign, & we used the photos in the toolkit.

We created these reels for the USA research team to give a fun motion graphics spin on some of the big statistics of the year.

For Quote Unquote, I animated these short phrases by Thomas Edison, Oscar Wilde, and USA's own Donna Paulsen (Suits character played by Sarah Rafferty).

I created this short animated typographic spot for Macy's & Modern Family.